Here's another great review of AUTUMN WIND, this one from the Something Else! webzine!:
"...highly impressionistic...brimming with even more original ideas...a complete mastery of the electric guitar’s tonal palette...full of timbral richness...DuBois’s desire to blur the lines between creative jazz, chamber music and folk forms is a quest others before him have taken on, but the challenge of putting it all together both coherently and provocatively is where many have fallen short. Not so with Autumn Wind, it excels at that."
Visit the FROM UNITED STATES tab on the REVIEWS page for a link to read the full review!
Here's what Spain's Tomajazz has to say about AUTUMN WIND!:
"Autumn Wind is the poetic journey whose tools are a brush and a multi-colored palette that captures passion and reflection...passion and dramatic force marrying the brain and heart in a single spirit."
Visit the DE ESPAÑA tab on the REVIEWS page for a link to read the full review in Spanish!
Portugal's A Certeza de Música calls AUTUMN WIND:
"A truly fascinating album...an intense flame of an exceptional guitarist, full of creative possibilities...a record so marvelous..."
Visit the DE PORTUGAL tab on the REVIEWS page for a link to read the full review in Portuguese!
You can now order the AUTUMN WIND vinyl (2LP/180g), CD, digital on Amazon & digital on iTunes, out Oct. 13th (North America) & Oct. 27th (Europe, Asia, Australia) on the ACT record label!:
Scott DuBois / guitar & conductor
Gebhard Ullmann / tenor sax & bass clarinet
Thomas Morgan / bass
Kresten Osgood / drums
Eva León / violin I
Conway Kuo / violin II
William Frampton / viola
Sarah Rommel / cello
Erin Lesser / flute
BJ Karpen / oboe
Elisabeth Stimpert / clarinet
Michael Harley / bassoon
Here are the liner notes I wrote for AUTUMN WIND which explain more about the project:
My vision for this album came as I drank coffee in a German train station. I was returning to New York after touring with my quartet. My idea: To use three quartets to create a conversation between the world of contemporary classical composition and that of modern jazz composition and improvisation. Autumn would be my theme.
Carrying out my plan, I first composed twelve pieces for my quartet and recorded them in Copenhagen. Each piece begins with a different note, generating a twelve-tone row I used in various parts of the compositions. Later, in New York, building on the fluid performances and improvisations in those recordings, I composed, conducted and recorded pieces for classical string and woodwind quartets to be superimposed on the jazz performances.
The first piece is for solo guitar. Each subsequent piece adds one instrument, culminating in a finale (for twelve musicians) in which the twelve-tone row structures the entire composition. Among other compositional techniques I employed were aleatoricism, minimalism and serialized rhythms, pitches and dynamics. Always I focused on the beautiful melody and harmony suggested to me by autumn’s permutations.
This musical journey begins with the shifting light of early autumn and continues with a tranquil stroll at dusk. The season’s tiniest composers appear after dark.
The mystery of the animal kingdom’s autumn journey coincides with the season’s changing leaves. Birds call and fly in grand formation through sunlight, clouds, rain and blustery winds.
The autumn wind carries sounds from near and far.
Moonbeams penetrate the deep forest. Sunrise reveals farm fields covered with snow.
Chimney smoke rises against the blue sky in bright sunlight. With night, stars sparkle and flare. The aurora borealis paints the sky.
The journey ends in quiet reflection.
New York City
June 21, 2017
Some recently re-discovered photos of Scott DuBois and the great Dave Liebman performing together at the 55 Bar in NYC back in 2007! All photos by Juan Carlos Hernandez: